Abstract:
The article reveals the main national-specific peculiarities of Tatar Sufi poetry of the XVI-XIX centuries. In the course of investigation, the Sufi worldview is reconstructed, functional and artistic meanings of Sufi symbols are revealed at the material of poetic pieces; intratextual connections, existing in the Tatar literature of this period, are determined. Scientific novelty is determined by the alternate approach to the study of oral culture: the Tatar Sufi poetry is studied against the background of reconstruction of Sufi world models, as well as in wide context of Eastern literature and philosophy.