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dc.contributor.author | Lena Jennifer C., | |
dc.date.accessioned | 2024-01-29T23:22:52Z | |
dc.date.available | 2024-01-29T23:22:52Z | |
dc.date.issued | 2019 | |
dc.identifier.citation | Lena. Entitled: discriminating tastes and the expansion of the arts - 1 online resource (xiv, 231 pages) - URL: https://libweb.kpfu.ru/ebsco/pdf/2043372.pdf | |
dc.identifier.isbn | 9780691189840 | |
dc.identifier.isbn | 0691189846 | |
dc.identifier.uri | https://dspace.kpfu.ru/xmlui/handle/net/182179 | |
dc.description | Includes bibliographical references and index. | |
dc.description.abstract | "This book examines the process by which the American arts expanded, over the course of more than a century, to include not just "classical" arts like opera and portraiture, but forms of folk, vernacular, and popular culture"-- | |
dc.description.tableofcontents | Cover; Title Page; Copyright Page; Contents; Preface; Acknowledgments; 1 The Invention of American Art, 1825-1945; Museums and Symphony Orchestras; Rationalizing Governance; The Second Wave: Ballet, Modern Dance, Theater, and Opera; Early Life Exposure; What Is an "American Art"?; Heading into the Great Depression; 2 The WPA and the Opening of the American Arts; The WPA's Impact; A Cultural Democracy; The Long Arm of WPA Influence: Artists, Organizations, Administrators; Conclusion; 3 The Museum of Primitive Art, 1940-1982; Nelson Rockefeller, Art Collector | |
dc.description.tableofcontents | Primitive and Modern: Frontiers of Legitimacy in the MidcenturyInventing the Field of Primitive Art; Influencing the Postcolonial Art World; Move to the Met; Primitive Art and Artistic Legitimation; Conclusion; 4 Opportunity Structures; Economic, Political, and Technological Change; Changes to Regulations; Changes within Arts Nonprofits; Changes to Funding; Conclusion; 5 Expansion: 1900-2000; Building a Model of Aesthetic Legitimation; Conclusion; 6 Cultural Appropriation; Cosmopolitanism; Slumming; Monet's Kimono; Chinatown Plaid; Conclusion; 7 Conclusion | |
dc.description.tableofcontents | Twentieth-Century American Artistic Legitimation, in BriefTrajectories; Aesthetic Continuities across Legitimizing Fields; Alliances with Legitimate Fields; People Power; Appropriation from Outside; Never Art: Kitsch; Partial Legitimation: Designer Toys; Appendix: Methodological Appendix; Notes; Works Cited; Index | |
dc.language | English | |
dc.language.iso | en | |
dc.subject.other | Arts and society -- United States. | |
dc.subject.other | SOCIAL SCIENCE / Sociology / General | |
dc.subject.other | Art and popular culture -- United States. | |
dc.subject.other | Art, American. | |
dc.subject.other | Art, American. | |
dc.subject.other | Art and popular culture. | |
dc.subject.other | Arts and society. | |
dc.subject.other | United States. | |
dc.subject.other | Electronic books. | |
dc.title | Entitled: discriminating tastes and the expansion of the arts/ Jennifer C. Lena. | |
dc.title.alternative | Discriminating tastes and the expansion of the arts | |
dc.type | Book | |
dc.description.pages | 1 online resource (xiv, 231 pages) | |
dc.collection | Электронно-библиотечные системы | |
dc.source.id | EN05CEBSCO05C4159 |