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dc.contributor.author | Reeh-Peters Christine. | |
dc.date.accessioned | 2024-01-26T21:47:26Z | |
dc.date.available | 2024-01-26T21:47:26Z | |
dc.date.issued | 2021 | |
dc.identifier.citation | Reeh-Peters. Being and Film: A Fictive Ontology of Film in Tarkovsky's Solaris. - Newcastle-upon-Tyne: Cambridge Scholars Publisher, 2021 - 1 online resource (186 p.) - URL: https://libweb.kpfu.ru/ebsco/pdf/2898452.pdf | |
dc.identifier.isbn | 1527567427 | |
dc.identifier.isbn | 9781527567429 | |
dc.identifier.uri | https://dspace.kpfu.ru/xmlui/handle/net/179124 | |
dc.description | Description based upon print version of record. | |
dc.description.abstract | This book develops the so-called ""solaristic ontology"" of film by building a philosophical system based on an inquiry into the nature of film, being and reality. This ""solaristic system"" appropriates the aesthetic ideas and principles of thought present in the 1972 sci-fi movie Solaris by Andrei Tarkovsky. This movie is the main center of analysis here since it is highly symptomatic of the medium's philosophical self-reflexivity and its intriguing correlation with reality and being. The ""solaristic science"" is a fictional science introduced in the movie's diegesis and dedicated to the in. | |
dc.description.tableofcontents | Intro -- Contents -- Acknowledgments -- Part 1 -- I. -- II. -- Part 2 -- III. -- IV. -- Part 3 -- V. -- VI. -- VII. -- Part 4 -- VIII. -- IX. -- Bibliography | |
dc.language | English | |
dc.language.iso | en | |
dc.publisher | Newcastle-upon-Tyne Cambridge Scholars Publisher | |
dc.subject.other | Tarkovskiĭ -- 1932-1986 -- Andreĭ Arsenʹevich -- Criticism and interpretation. | |
dc.subject.other | Tarkovskiĭ -- 1932-1986. -- Andreĭ Arsenʹevich | |
dc.subject.other | Ontology in motion pictures. | |
dc.subject.other | Ontology. | |
dc.subject.other | Ontology. | |
dc.subject.other | Ontology in motion pictures. | |
dc.subject.other | Criticism, interpretation, etc. | |
dc.subject.other | Electronic books. | |
dc.title | Being and Film: A Fictive Ontology of Film in Tarkovsky's Solaris. | |
dc.type | Book | |
dc.description.pages | 1 online resource (186 p.) | |
dc.collection | Электронно-библиотечные системы | |
dc.source.id | EN05CEBSCO05C3656 |