dc.contributor.author |
Mirkhasanov R.F. |
|
dc.contributor.author |
Ivanova E.E. |
|
dc.contributor.author |
Mukharlyamova L.R. |
|
dc.contributor.author |
Miskichekova Z.Y. |
|
dc.date.accessioned |
2021-02-26T20:39:31Z |
|
dc.date.available |
2021-02-26T20:39:31Z |
|
dc.date.issued |
2020 |
|
dc.identifier.issn |
1316-5216 |
|
dc.identifier.uri |
https://dspace.kpfu.ru/xmlui/handle/net/163084 |
|
dc.description.abstract |
© 2020, Universidad del Zulia. All rights reserved. The article is devoted to the description of the practical and theoretical development of the formal sphere and will be useful for practitioners, theorists of design art, students, future designers. But this is impossible without extensive and solid knowledge of the objective, evolutionary development of form in the visual arts. We see one of the solutions to this problem as developed by the authors of the analytical schematic tasks presented in this article. Thus, thanks to the analysis of formal components in the creative products of well-known personalities, the student will be more ready to create their own copyright works. |
|
dc.relation.ispartofseries |
Utopia y Praxis Latinoamericana |
|
dc.subject |
Analogues |
|
dc.subject |
Composition |
|
dc.subject |
Free copy |
|
dc.subject |
Modernization of education |
|
dc.subject |
Schematic graphic analysis |
|
dc.title |
Analysis of modular and rhythmic members in design masterpieces |
|
dc.type |
Article |
|
dc.relation.ispartofseries-issue |
Extra 7 |
|
dc.relation.ispartofseries-volume |
25 |
|
dc.collection |
Публикации сотрудников КФУ |
|
dc.relation.startpage |
431 |
|
dc.source.id |
SCOPUS13165216-2020-25-7-SID85091108933 |
|