Reception of mythological image of the bird at bunin cycle «the bird's shadow»

Abstract

© 2020, Universidad del Zulia. All rights reserved. The article notes that the writer's interest in the East in tune with the typical art of the silver age trends about the Indo-European origins of russian culture, which is associated with reflections on the essence of its intermediate (between East and West). The writer's choice of an unusual genre modification – "travel poem" – allows him to create a multi-level artistic image of the eastern city. The analysis of the cycle by I.A. Bunin "The Bird's Shadow" testifies to the divergence of his interpretation of the image of the mythical bird Huma with the context of the Russian Silver age and rapprochement with the Eastern tradition.