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dc.contributor Казанский (Приволжский) федеральный университет
dc.contributor.author Singla Aditi ru_RU
dc.date.accessioned 2020-07-21T12:15:58Z
dc.date.available 2020-07-21T12:15:58Z
dc.date.issued 2019
dc.identifier.uri https://dspace.kpfu.ru/xmlui/handle/net/159070
dc.description.abstract The main objective of this study is to highlight Styles of Indian Art Form: Music & Dance. No doubt, Vocal music is acknowledged by our scholars, in due course of time, there is a need to analysis the relative importance of experimentation in Instrumental Music. Dance is cultivated as an Art to attain perfection. From the ancient times to modern age, great musicians, dancers made and adopted critical observations in Indian Art through experimentation. Thus, the scope of experimentation becomes too wide. Although, at present there has been tremendous focus on tests by many contemporary renowned musicians, dancers but it was not possible to include all of them due to various factors, but the purpose is to highlight the subject in order to focus on the modern experimentation in our Instrumental music by limiting itself to performing aspect of Hindustani Classical Instrumental Music. en_US
dc.relation.ispartofseries Искусство и художественное образование в контексте межкультурного взаимодействия ru_RU
dc.subject Music en_US
dc.subject Dance en_US
dc.subject Hindustani en_US
dc.subject Classical Music en_US
dc.subject Tremendous en_US
dc.subject Contemporary en_US
dc.title Styles of Indian art form: music & dance ru_RU
dc.title.alternative Styles of Indian art form: music & dance en_US
dc.type article
dc.identifier.udk 78.08
dc.description.pages 57-67


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