The symbolic system in tatar poetry of the first half of the twentieth century: The transformation of nominative meanings

Abstract

© Yusupov et al. Purpose: This research is the first to study the image-symbol as a system of nominations, theoretically conceptualizes and verifies the term of “nomination” in relation to poetic images-symbols. The interconnection of literary and cultural linguistics methods of analysis through the concept of nominations to the images-symbols made it possible to apply a new theoretical approach to the study of the symbolic system. Methodology: in our study, we rely on the methodology of considering the symbol in the aspect of a system of nominations, which, in our opinion, expands the views on the process of symbolization. Result: Thus, symbols characterize the national peculiarities of poets’ creativity and the artistic world of poetic works, the principles of organizing the subject level and the ideological and semantic potential of works. As a result, symbols have become a kind of “codes” that defines the unique and universal features of Tatar poetry. Applications: This research can be used for universities, teachers, and students. Novelty/Originality: In this research, the model of The Symbolic System in Tatar Poetry of the First Half of the Twentieth Century: The Transformation of Nominative Meanings is presented in a comprehensive and complete manner.