Theoretical bases of studying the vocabulary of sensory perception in the system of scientific research (On the material of Russian-speaking v. nabokov's prose)

Abstract

© Mubarakshina and Abdrakhmanova. Purpose of the study: The aim of the article is the analysis of vocabulary, which is verbalizing the sensory perception in the novels of Vladimir Nabokov, as a symbolic representation of the Russian linguistic culture. Methodology: Vocabulary, naming different human senses, is certainly culturally significant, and forms a cultural phenomenon. The study of semantic features of the lexicon representing perception by sense organs in V. Nabokov's prose within cognitive linguistics and linguoculturology assumes the reference to a problem of psychological, philosophical, linguistic and psycholinguistic understanding of the nature of the specified concepts. The theoretical basis of the research is the works devoted to categorization, conceptualization, and linguoculturology. Results: The study confirmed the fact that Vladimir Nabokov is a "seeing" writer. The practical value of this work is due to the possibility of using the materials and results of the study in the development of Russian language stylistics courses, special seminars on the analysis of the literary text, as well as special courses on the works of writers of the XX century. Applications of this study: This research can be used for the universities, teachers, and students. Novelty/Originality of this study: In this research, the model of the theoretical bases of studying the vocabulary of sensory perception in the system of scientific research is presented in a comprehensive and complete manner.