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dc.contributor.author | Mukhametzyanov R. | |
dc.date.accessioned | 2018-09-18T20:42:51Z | |
dc.date.available | 2018-09-18T20:42:51Z | |
dc.date.issued | 2015 | |
dc.identifier.issn | 2039-9340 | |
dc.identifier.uri | https://dspace.kpfu.ru/xmlui/handle/net/142254 | |
dc.description.abstract | © 2015, Mediterranean Center of Social and Educational Research. All rights reserved. The article examines the influence of oriental civilization on the formation of a new European culture at the example of S. Eisenstein’s work. Eisenstein’s interpretation of Far Eastern aesthetics as well as the use of the principles of hieroglyphics in the development of a now common author's method of film editing are being analysed here. Such a dialogical relationship of the Far Eastern culture with the Russian (European) one is an example of how human perception of the East by a westernised person becomes a fertile ground for creativity and formation of a new image of culture. | |
dc.relation.ispartofseries | Mediterranean Journal of Social Sciences | |
dc.subject | Chan Buddhism | |
dc.subject | Chinese and Japanese cultures | |
dc.subject | Dialogue of cultures | |
dc.subject | East - West | |
dc.subject | Film editing | |
dc.subject | Hieroglyph | |
dc.subject | Kabuki theatre | |
dc.subject | Sound editing | |
dc.subject | Synthesis of arts | |
dc.title | Influence of far eastern culture on Russian cinema of the first half of the twentieth century | |
dc.type | Article | |
dc.relation.ispartofseries-issue | 3 | |
dc.relation.ispartofseries-volume | 6 | |
dc.collection | Публикации сотрудников КФУ | |
dc.relation.startpage | 195 | |
dc.source.id | SCOPUS20399340-2015-6-3-SID84934178345 |