dc.contributor.author |
Mukhametzyanov R. |
|
dc.date.accessioned |
2018-09-18T20:42:51Z |
|
dc.date.available |
2018-09-18T20:42:51Z |
|
dc.date.issued |
2015 |
|
dc.identifier.issn |
2039-9340 |
|
dc.identifier.uri |
https://dspace.kpfu.ru/xmlui/handle/net/142254 |
|
dc.description.abstract |
© 2015, Mediterranean Center of Social and Educational Research. All rights reserved. The article examines the influence of oriental civilization on the formation of a new European culture at the example of S. Eisenstein’s work. Eisenstein’s interpretation of Far Eastern aesthetics as well as the use of the principles of hieroglyphics in the development of a now common author's method of film editing are being analysed here. Such a dialogical relationship of the Far Eastern culture with the Russian (European) one is an example of how human perception of the East by a westernised person becomes a fertile ground for creativity and formation of a new image of culture. |
|
dc.relation.ispartofseries |
Mediterranean Journal of Social Sciences |
|
dc.subject |
Chan Buddhism |
|
dc.subject |
Chinese and Japanese cultures |
|
dc.subject |
Dialogue of cultures |
|
dc.subject |
East - West |
|
dc.subject |
Film editing |
|
dc.subject |
Hieroglyph |
|
dc.subject |
Kabuki theatre |
|
dc.subject |
Sound editing |
|
dc.subject |
Synthesis of arts |
|
dc.title |
Influence of far eastern culture on Russian cinema of the first half of the twentieth century |
|
dc.type |
Article |
|
dc.relation.ispartofseries-issue |
3 |
|
dc.relation.ispartofseries-volume |
6 |
|
dc.collection |
Публикации сотрудников КФУ |
|
dc.relation.startpage |
195 |
|
dc.source.id |
SCOPUS20399340-2015-6-3-SID84934178345 |
|