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The poetics of the literary-critical essays of marina Tsvetaeva

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dc.contributor.author Krylov V.
dc.date.accessioned 2018-04-05T07:09:10Z
dc.date.available 2018-04-05T07:09:10Z
dc.date.issued 2017
dc.identifier.issn 0037-6744
dc.identifier.uri http://dspace.kpfu.ru/xmlui/handle/net/129561
dc.description.abstract The article deals with Marina Tsvetaeva's theoretical views on the essence and the objectives of the criticism as well as on the relationship of a poet and a critic. It is proved that Tsvetaeva removes the literary-critical discourse from the framework of the established institutional conditions and recognizes the exclusive right to criticize the poetry only for a "real" poet, the professional criticism loses its usual status in literature. On the assumption of these principles of the poetical criticism, the article reveals some specifi c features of the poetics of her literary-critical essays: the poetics of the digressions on the aesthetic topics, the active demonstration of the author's essence (the manifestation of the critic's "voice"), poetical polycitationality, the antinomy principle, the activation of the parallel as a method and a genre.
dc.relation.ispartofseries Slavia Orientalis
dc.subject Author
dc.subject Citationality
dc.subject Criticism
dc.subject Essay
dc.subject Marina tsvetaeva
dc.title The poetics of the literary-critical essays of marina Tsvetaeva
dc.type Review
dc.relation.ispartofseries-issue 2
dc.relation.ispartofseries-volume 2017
dc.collection Публикации сотрудников КФУ
dc.relation.startpage 281
dc.source.id SCOPUS00376744-2017-2017-2-SID85027580927


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  • Публикации сотрудников КФУ Scopus [24551]
    Коллекция содержит публикации сотрудников Казанского федерального (до 2010 года Казанского государственного) университета, проиндексированные в БД Scopus, начиная с 1970г.

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